Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Alex barely makes it to the door handle. The tall man is on him with the righteous zeal of someone whose privileges are endangered.
Patty screams for no reason she can articulate.
A cheetah and a man do battle before her. The man is armed with technology but the cheetah is wild: scratching, biting, hissing.
The man prevails. Patty remains at her door, wailing like a kettle.
Alex spits and cries from the chemicals in his eyes. The tall man rises to his feet, his quarry subdued and restrained. He lingers there, his legs astride the beast.
"Ma'am, I'm going to ask you to calm down. Please calm down ma'am."
Patty will not calm down. She watches the tall man standing over her cat, sees the scratches on his arms and face from the recent struggle. Alex is lying on his side sobbing, pulling his knees towards his chin with his hands still cuffed behind his back.
Patty can not hear the tall man because she is no longer standing on her front porch. She is standing in the woods with her father. At her father's feet is a bleeding doe, in his hands a rifle. The doe lies on its back in a perfectly inert state, its haunches splayed open frankly, the tendons in its legs having lost their ability to constrict.
Alex is lifted rudely to his feet. Blinded, he's led to the special car. The tall man pushes his head down.
With a large knife Jay begins to slash the doe near its hind legs. Sticking his fingers into the gashes he tugs and like an onion the beast loses its skin. Underneath it is red and purple. Patty screams and she will not calm down. Dead leaves crumble under her boots as she turns and runs. Jay calls after her and she hears him but she will not respond.
The tall man is about to turn to tell Patty that if she doesn't calm down, he'll have to put her in his car too. He doesn't get the chance. The impact in his lower back makes his arms flail out at his sides and his knees buckle. As he falls his forehead slams into the car in the same spot where Alex's would have if he hadn't pushed it down.
Alex makes a yipping noise more reminiscent of a hyena than a cat. Blinking, he rolls out of the special car and joins the rag doll on the ground. Patty has stopped screaming, her massive chest heaving. She is slowly coming out of the woods.
After frantically fidgeting with the keys attached to the tall man's shiny belt, Alex rises to his feet, his hands unbound. He runs to the front of the car and jumps in, gesturing wildly to his friend Patty, who, after hesitating for only a moment, steps over the tall man and into the passenger's seat.
The inside of the car is clean and smells like nothing. Alex smiles at Patty and brings the car humming to life. He leans over to press a button in the center console. Patty gasps and then giggles as the car lights up and plays a song. Alex drums his fingers on the steering wheel and squints into the sun.
END
Sunday, March 14, 2010
Tuesday, February 23, 2010
Patty Revere Pt. 6
Part 1
Part 2
Part 3
Part 4
Part 5
A tall man with a shiny belt is driving a car. The car is painted in special colors and gives him special powers. The radio is playing. It's a commercial for a hardware store.
"Young's Hardware, where you can find just what you'd expect to find at a hardware store."
The tall man's fingers drum on the steering wheel. Signaling, he turns left and squints into the sun.
He likes this commercial. He also likes the hardware store. He's met the owner of the hardware store, and he likes him.
The tall man drives his special car through the town all day, and he looks at the houses and the people who live in them and he thinks, "This is alright."
The tall man is very dangerous.
A crackling noise announces the arrival of a coded message on his radio. He interprets the message and presses a button on the center console. Incredible lights and a very loud noise erupt from the special car as it accelerates through traffic.
Moments later, the shiny car rolls into an empty space in front of Patty Revere's squat aluminum-sided house. The sunlight reflects off its hood fiercely, making it glow like a tanning bed.
The tall man approaches the yellow door. He knocks.
Then again.
"Pittsburgh police! Open up!"
The paint on the door is fading. The tall man waits.
The noise of latches coming undone is the same noise vermin make when they've infiltrated the walls of a house, scurrying and scratching. The door opens and reveals Patty looming tall in her blue nightshirt.
"Ma'am we've had calls about a man trying to force entry into your neighbors' house. White, five foot nine, blond hair. A cut on his forehead."
He ended the sentence by bending the pitch of his voice upward, as if he were asking a question. But it wasn't a question. Patty was confused.
"Nothing to worry about, we're acquainted with the perp, just a local pill-popper. Someone thought they saw him on your front doorstep."
Patty continues to stare implacably at the tall man. His words are complete nonsense to her. But she lets him prattle on because she's struck by the way his clothes are so clean and crisp. His belt is very shiny in the noontime sun.
A cheetah is pressed against the aluminum siding of Patty's home. His heart pounds blood through his head like someone was boxing his ears. He is staring at the special car.
Alex sees himself in the car, feels his foot against the gas pedal. He imagines drumming his fingers on the steering wheel and squinting into the sun. His vehicle rolling down wide suburban thoroughfares and potholed city streets. Through the window he sees the citizens of Pittsburgh wave at him and smile. They wave out of respect and smile because they admire him.
Alex waves back and as he does he can feel the starched epaulet of his shirt rub against his shoulder. Looking down he sees he is wearing the uniform of the tall man, shiny belt and all.
He presses a button on the center console and the car becomes a howling banshee, flashing its multicolored lights like a toy. Other cars submissively drop out of view as he accelerates onward, faster, faster, exploding fuel in his heart and a stampede in his gas tank.
Part 2
Part 3
Part 4
Part 5
A tall man with a shiny belt is driving a car. The car is painted in special colors and gives him special powers. The radio is playing. It's a commercial for a hardware store.
"Young's Hardware, where you can find just what you'd expect to find at a hardware store."
The tall man's fingers drum on the steering wheel. Signaling, he turns left and squints into the sun.
He likes this commercial. He also likes the hardware store. He's met the owner of the hardware store, and he likes him.
The tall man drives his special car through the town all day, and he looks at the houses and the people who live in them and he thinks, "This is alright."
The tall man is very dangerous.
A crackling noise announces the arrival of a coded message on his radio. He interprets the message and presses a button on the center console. Incredible lights and a very loud noise erupt from the special car as it accelerates through traffic.
Moments later, the shiny car rolls into an empty space in front of Patty Revere's squat aluminum-sided house. The sunlight reflects off its hood fiercely, making it glow like a tanning bed.
The tall man approaches the yellow door. He knocks.
Then again.
"Pittsburgh police! Open up!"
The paint on the door is fading. The tall man waits.
The noise of latches coming undone is the same noise vermin make when they've infiltrated the walls of a house, scurrying and scratching. The door opens and reveals Patty looming tall in her blue nightshirt.
"Ma'am we've had calls about a man trying to force entry into your neighbors' house. White, five foot nine, blond hair. A cut on his forehead."
He ended the sentence by bending the pitch of his voice upward, as if he were asking a question. But it wasn't a question. Patty was confused.
"Nothing to worry about, we're acquainted with the perp, just a local pill-popper. Someone thought they saw him on your front doorstep."
Patty continues to stare implacably at the tall man. His words are complete nonsense to her. But she lets him prattle on because she's struck by the way his clothes are so clean and crisp. His belt is very shiny in the noontime sun.
A cheetah is pressed against the aluminum siding of Patty's home. His heart pounds blood through his head like someone was boxing his ears. He is staring at the special car.
Alex sees himself in the car, feels his foot against the gas pedal. He imagines drumming his fingers on the steering wheel and squinting into the sun. His vehicle rolling down wide suburban thoroughfares and potholed city streets. Through the window he sees the citizens of Pittsburgh wave at him and smile. They wave out of respect and smile because they admire him.
Alex waves back and as he does he can feel the starched epaulet of his shirt rub against his shoulder. Looking down he sees he is wearing the uniform of the tall man, shiny belt and all.
He presses a button on the center console and the car becomes a howling banshee, flashing its multicolored lights like a toy. Other cars submissively drop out of view as he accelerates onward, faster, faster, exploding fuel in his heart and a stampede in his gas tank.
Saturday, February 20, 2010
Blue Skies Ahead
On Tuesday afternoon I climbed onto my roof and looked at the ivory sky and thought, "White is the worst color a sky could have. Even grey is better than white because it has shade, character. White is the absence of character. It's a heedless halogen light fixture over the world that lays bare all the flaws, all the flat listlessness. I miss the blue sky."
It's not until Friday evening with 200 miles of highway under my wheels and 300 more until I reach Chicago that I get to see it. I-70 curves west towards the coming night, and a timid Sun casts furtive glances at me from behind a veil made of violet-orange clouds. The license plate on the car ahead of me reads, "CUBS GO."
Lonely days are gone, I'm'a going home. Baby just wrote me a letter.
Sunday, January 31, 2010
Dangerous Lifestyles
(Sorry for the long post. A short story.)
Lawrence stoically waits out a frigid gust, staring east down Granville Avenue towards the lake. He shifts his weight and feels the foot-warmer packets in his boots squish between his toes and he's reminded of the way the mud in the delta of the Mekong felt between his toes as he stood watch that night.
His company, the 83rd Airborne Division, "The Hirsute Eagles," had made camp under the jungle canopy and it was up to him, First Sergeant Lawrence, to watch for Charlie as they slept. A crunching sound in the dark; there it is again. VC boot? Or just the sound of some other poor creature getting his in this god-forsaken wilderness? A squawk and the noise of futilely flapping wings answers Lawrence's question. Suddenly, to his right, headlights!
Headlights? Lawrence is close enough to the oncoming Xterra to read the lips of its irate driver ("Motherfucker get out the street!") before he jumps out of the way. Picking himself up, he does his best to ignore the blaring car horns, the disparaging gazes, the tsk-tsks and head-shakes. Like a soldier at attention, he stands on the white painted dash line between two lanes of heedless westward Chicago traffic, and holds his cardboard in front of him."Vietnam Vet PLEASE HELP God bless you" reads his signal flare made out in Sharpie.
He hopes and prays for an airlift. Any second now a helo will emerge from that murky horizon over Lake Michigan: the cascading shades of blue where water meets sky will part like a theater curtain and Lieutenant Gumble will appear, grinning that stupid Gumble grin of his and riding that bird for all she's worth to come rescue his comrade-in-arms. Lawrence can see the eagle painted on the side of it, the symbol of the 83rd Airborne, a diving hirsute eagle: its proud beak pointing towards the earth, manly Robert Redford-like auburn hair flowing in the wind.
Traffic changes and Lawrence pivots. His back to the lake, he surveys the perimeter. West-southwest is the CVS where he buys liquor and shoplifts foot-warmer packets. West-northwest, the picture framing shop Lawrence has never had occasion to enter. Someone is crossing the street over there, but they don't have the light.
Upon closer examination, Lawrence realizes they aren't actually crossing at all. A dark figure, bundled in work wear and a black beanie, stands in the intersection of Broadway and Granville during evening rush hour, in the middle of January. Who else occupies this no-man's land? Who would risk life and limb so recklessly, but another soul with nothing left to lose?
The light turns and with the same mechanical fluidity so does Lawrence. His soldier's training doesn't allow him to peek at the mysterious person though it's all he can think of. As soon as the ranks of headlights shining in his face begin to slow he spins around, and finds himself almost face to face with a beautiful young woman.
She pulls up the collar on her coat and walks faster through the crosswalk, allowing Lawrence to see the short, plump lady in hunter camo behind her, gathering her surveyor's equipment and walking in his direction. Pretty Woman, walk my way, thinks Lawrence, and he forgets to lower his sign as she approaches with a rosy-cheeked smile on her face and matronly crow's feet around her eyes.
"Helluva cold one, ain't it?" she asks flirtatiously.
Lawrence's chapped lips crack in several places as he returns her schoolgirl grin.
"No worse than it's been," says a voice scorched by cheap cigarettes and lonely nights. "Don't you have kind of a dangerous job?" he asks, nodding at her bag full of calibrating devices.
"Someone's got to do it," she laughs, and reaching into her pocket, procures 55 cents in nickels, dimes and pennies. As she hands it to Lawrence, their fingers linger, wool momentarily caressing wool.
"Hey, uh, listen," says Lawrence lamely. Pretty Woman bats her eyelashes innocently.
"It is getting cold out here. How about we get some coffee at the Dunkin' down the street?"
Pretty Woman glances away, looks at her toes.
Thinking quickly, "Or Beam is seven bucks a handle at that CVS."
"Now you're speaking my language, stranger," says Pretty Woman with a twang of Appalachia in her voice.
Now Lawrence watches dawn start to creep across the sky as the two lounge underneath a dewy sleeping bag in the alley behind CVS, basking in the lingering warmth of liquor and each others' passion. He can tell by her breathing that his companion is awake also, only keeping her eyes closed to shut out the harsh rays.
"There's something I'd like to tell you, just so's were on the same page here."
"Mrhrm?"
"I've never been to Vietnam. I never even served in the military."
Pretty Woman didn't open her eyes, just pushed her face into Lawrence's ribs to stifle her giggling.
"Are you making fun of me?"
Still giggling, she only points to the black duffel bag at her feet. Puzzled, Lawrence reaches for it and pulls open the zipper. Then he starts to giggle as well.
A tough job but someone's got to do it. The surveyor's equipment that he thought he had seen, but of course it was dark and he only assumed that was her job. Empty aluminum cans, a greasy brush with most of its tines missing, broken Fisher-Price toys and junk food wrappers spill out of her bag.
Lawrence lays back, content in his lover's arms, and closes his eyes. There they remain as the morning rush crescendos around them, two soldiers making camp in no-man's land.
Lawrence stoically waits out a frigid gust, staring east down Granville Avenue towards the lake. He shifts his weight and feels the foot-warmer packets in his boots squish between his toes and he's reminded of the way the mud in the delta of the Mekong felt between his toes as he stood watch that night.
His company, the 83rd Airborne Division, "The Hirsute Eagles," had made camp under the jungle canopy and it was up to him, First Sergeant Lawrence, to watch for Charlie as they slept. A crunching sound in the dark; there it is again. VC boot? Or just the sound of some other poor creature getting his in this god-forsaken wilderness? A squawk and the noise of futilely flapping wings answers Lawrence's question. Suddenly, to his right, headlights!
Headlights? Lawrence is close enough to the oncoming Xterra to read the lips of its irate driver ("Motherfucker get out the street!") before he jumps out of the way. Picking himself up, he does his best to ignore the blaring car horns, the disparaging gazes, the tsk-tsks and head-shakes. Like a soldier at attention, he stands on the white painted dash line between two lanes of heedless westward Chicago traffic, and holds his cardboard in front of him."Vietnam Vet PLEASE HELP God bless you" reads his signal flare made out in Sharpie.
He hopes and prays for an airlift. Any second now a helo will emerge from that murky horizon over Lake Michigan: the cascading shades of blue where water meets sky will part like a theater curtain and Lieutenant Gumble will appear, grinning that stupid Gumble grin of his and riding that bird for all she's worth to come rescue his comrade-in-arms. Lawrence can see the eagle painted on the side of it, the symbol of the 83rd Airborne, a diving hirsute eagle: its proud beak pointing towards the earth, manly Robert Redford-like auburn hair flowing in the wind.
Traffic changes and Lawrence pivots. His back to the lake, he surveys the perimeter. West-southwest is the CVS where he buys liquor and shoplifts foot-warmer packets. West-northwest, the picture framing shop Lawrence has never had occasion to enter. Someone is crossing the street over there, but they don't have the light.
Upon closer examination, Lawrence realizes they aren't actually crossing at all. A dark figure, bundled in work wear and a black beanie, stands in the intersection of Broadway and Granville during evening rush hour, in the middle of January. Who else occupies this no-man's land? Who would risk life and limb so recklessly, but another soul with nothing left to lose?
The light turns and with the same mechanical fluidity so does Lawrence. His soldier's training doesn't allow him to peek at the mysterious person though it's all he can think of. As soon as the ranks of headlights shining in his face begin to slow he spins around, and finds himself almost face to face with a beautiful young woman.
She pulls up the collar on her coat and walks faster through the crosswalk, allowing Lawrence to see the short, plump lady in hunter camo behind her, gathering her surveyor's equipment and walking in his direction. Pretty Woman, walk my way, thinks Lawrence, and he forgets to lower his sign as she approaches with a rosy-cheeked smile on her face and matronly crow's feet around her eyes.
"Helluva cold one, ain't it?" she asks flirtatiously.
Lawrence's chapped lips crack in several places as he returns her schoolgirl grin.
"No worse than it's been," says a voice scorched by cheap cigarettes and lonely nights. "Don't you have kind of a dangerous job?" he asks, nodding at her bag full of calibrating devices.
"Someone's got to do it," she laughs, and reaching into her pocket, procures 55 cents in nickels, dimes and pennies. As she hands it to Lawrence, their fingers linger, wool momentarily caressing wool.
"Hey, uh, listen," says Lawrence lamely. Pretty Woman bats her eyelashes innocently.
"It is getting cold out here. How about we get some coffee at the Dunkin' down the street?"
Pretty Woman glances away, looks at her toes.
Thinking quickly, "Or Beam is seven bucks a handle at that CVS."
"Now you're speaking my language, stranger," says Pretty Woman with a twang of Appalachia in her voice.
Now Lawrence watches dawn start to creep across the sky as the two lounge underneath a dewy sleeping bag in the alley behind CVS, basking in the lingering warmth of liquor and each others' passion. He can tell by her breathing that his companion is awake also, only keeping her eyes closed to shut out the harsh rays.
"There's something I'd like to tell you, just so's were on the same page here."
"Mrhrm?"
"I've never been to Vietnam. I never even served in the military."
Pretty Woman didn't open her eyes, just pushed her face into Lawrence's ribs to stifle her giggling.
"Are you making fun of me?"
Still giggling, she only points to the black duffel bag at her feet. Puzzled, Lawrence reaches for it and pulls open the zipper. Then he starts to giggle as well.
A tough job but someone's got to do it. The surveyor's equipment that he thought he had seen, but of course it was dark and he only assumed that was her job. Empty aluminum cans, a greasy brush with most of its tines missing, broken Fisher-Price toys and junk food wrappers spill out of her bag.
Lawrence lays back, content in his lover's arms, and closes his eyes. There they remain as the morning rush crescendos around them, two soldiers making camp in no-man's land.
Friday, January 22, 2010
Coffee
Hours I spent standing at the end of a pier on Lake Michigan. I set my back against a concrete wall so that I was invisible to the humans on the shore, and stared out straight ahead so that all I could see was blue horizon. Waves and clouds were perpetually unfurling toward me but never quite reaching. I felt like I could stand there forever, weathering the frigid winds like a carved face on a totem pole.
At the base of the wall behind me was srawled this message:
"you can put out the fire that started at the
I realized that the numbness in my toes had crept up the length of my legs. I decided to walk.
"Do you have coffee?"
"Yes."
Her simple response meant so much more to me than she could know. To her I was just another New Year's day hangover. To me she was my first reconnection with the community of humans in some 36 hours.
The simple phenomenon of being able to slap my lips, tongue, and teeth together, while exhaling, in a way so as to perfectly communicate my desire for a very specific object. A verbal magic trick, like pulling a dime from behind her ear.
She arrived at my table and she served me the object. I could see the coffee; my eyes vouched for its existence. My nose was useless, the odor of the cup cast adrift on a background sea of scent: an ebb and flow of eggs, beans, sweat, pork, farts, halitosis; pumped through the cramped diner with every breath of its patrons, like a galley full of steadily rowing slaves.
I picked up the cup and I felt its warmth radiate through Styrofoam and skin and hair and tissue and it warmed my bones.
I tried to thank her but I couldn't express it. So I drank my cup and when it was empty I went up to the counter and asked quietly, humbly, for another cup of coffee.
"What?"
Saturday, January 16, 2010
Patty Revere Pt. 5
Part 1
Part 2
Part 3
Part 4
Patty thinks first of Dr. Sanjay Gupta, but then she thinks of Rebecca, the woman who stops by to visit Patty every once in a while, and to bring her a plastic CVS bag. Inside the CVS bag are orange tubes with words written on the side, but Patty can't read, so she has to remember exactly what Rebecca tells her.
"This is medicine for you Patty. It make you feel better so remember to take them, okay? Is okay? You take your medicine Patty?" Rebecca would say.
Rebecca is very funny. The way she talks is funny, like the people on Channel 4 but slower and using words Patty can understand. The way she is so small but moves so fast around Patty's apartment, nimbly stepping over mounds of dirty laundry and VHS tapes, is funny. Patty can never do anything but nod when Rebecca talks to her because if she opens her mouth she knows she'll laugh and she doesn't want to hurt Rebecca's feelings. In the winter Rebecca wears a lime green coat and this is Patty's favorite, because with it on she looks just like one of those tiny green bugs, the kind you forget about until one day you look at a rock very closely and you see one scurrying across the surface.
"You can have some of my medicine. Rebecca tells me I have to take it to feel better, but she's just a silly little bug."
Laboriously, wheezing, Patty rises from her seat. The CVS bag is stashed under the bathroom sink, along with many others full of orange tubes from other visits.
"Rebecca's just a silly little bug. You can have all my medicine. I don't need any."
Alex claws through the bags, their contents spilling out at Patty's feet like the entrails of a fresh kill. Patty begins to laugh.
Alex looks up momentarily, the expired Prolixin capsules he was studying momentarily forgotten. Patty's laugh is harsh and raspy and doesn't decrescendo the way most people's laughs do, but instead repeats itself in a loop, like a broken laugh track. He pops a handful of multicolored pills into his mouth like they were Skittles. He starts to laugh too.
-----
The Magic Bullet sits in the middle of a long marble counter top. Myriad glass bowls, each filled with a measured amount of ingredient, form constellations around it.
Patty and Alex sit at rapt attention as one by one eggs, sugar and cream cheese are poured into the device and subsequently pulverized. An ecstatic young woman in a salmon-colored cardigan pours the homogenized substance into a pie plate, a wan moon set among the stars.
Patty leans forward to flick an inch of ash off her cigarette onto the carpet and it vanishes immediately, whisked away to an invisible realm of forgotten detritus; kept company by gum wrappers and lint. Alex is cleaning himself in the manner of a cat, pharmacopoeia vibrating through his veins like a subway train on a loose track.
The camera cuts to an old woman. Upon seeing a cheesecake made in just five minutes, she raises her eyebrows disapprovingly.
Patty hears it first. "Ooh, another cat come to visit?"
Alex hears the second knock. "Pittsburgh police! Open up!"
Deer may freeze in headlights but not cheetahs. Alex is halfway to the back door when Patty starts to unlock the front.
Part 2
Part 3
Part 4
Patty thinks first of Dr. Sanjay Gupta, but then she thinks of Rebecca, the woman who stops by to visit Patty every once in a while, and to bring her a plastic CVS bag. Inside the CVS bag are orange tubes with words written on the side, but Patty can't read, so she has to remember exactly what Rebecca tells her.
"This is medicine for you Patty. It make you feel better so remember to take them, okay? Is okay? You take your medicine Patty?" Rebecca would say.
Rebecca is very funny. The way she talks is funny, like the people on Channel 4 but slower and using words Patty can understand. The way she is so small but moves so fast around Patty's apartment, nimbly stepping over mounds of dirty laundry and VHS tapes, is funny. Patty can never do anything but nod when Rebecca talks to her because if she opens her mouth she knows she'll laugh and she doesn't want to hurt Rebecca's feelings. In the winter Rebecca wears a lime green coat and this is Patty's favorite, because with it on she looks just like one of those tiny green bugs, the kind you forget about until one day you look at a rock very closely and you see one scurrying across the surface.
"You can have some of my medicine. Rebecca tells me I have to take it to feel better, but she's just a silly little bug."
Laboriously, wheezing, Patty rises from her seat. The CVS bag is stashed under the bathroom sink, along with many others full of orange tubes from other visits.
"Rebecca's just a silly little bug. You can have all my medicine. I don't need any."
Alex claws through the bags, their contents spilling out at Patty's feet like the entrails of a fresh kill. Patty begins to laugh.
Alex looks up momentarily, the expired Prolixin capsules he was studying momentarily forgotten. Patty's laugh is harsh and raspy and doesn't decrescendo the way most people's laughs do, but instead repeats itself in a loop, like a broken laugh track. He pops a handful of multicolored pills into his mouth like they were Skittles. He starts to laugh too.
-----
The Magic Bullet sits in the middle of a long marble counter top. Myriad glass bowls, each filled with a measured amount of ingredient, form constellations around it.
Patty and Alex sit at rapt attention as one by one eggs, sugar and cream cheese are poured into the device and subsequently pulverized. An ecstatic young woman in a salmon-colored cardigan pours the homogenized substance into a pie plate, a wan moon set among the stars.
Patty leans forward to flick an inch of ash off her cigarette onto the carpet and it vanishes immediately, whisked away to an invisible realm of forgotten detritus; kept company by gum wrappers and lint. Alex is cleaning himself in the manner of a cat, pharmacopoeia vibrating through his veins like a subway train on a loose track.
The camera cuts to an old woman. Upon seeing a cheesecake made in just five minutes, she raises her eyebrows disapprovingly.
Patty hears it first. "Ooh, another cat come to visit?"
Alex hears the second knock. "Pittsburgh police! Open up!"
Deer may freeze in headlights but not cheetahs. Alex is halfway to the back door when Patty starts to unlock the front.
Friday, January 15, 2010
Patty Revere Pt. 4
Part 1
Part 2
Part 3
Patty has a clock. It stopped ticking at 3:27 p.m. years ago and she never took it off the wall. It still hangs over her kitchen sink and now she misses its steady rhythm for the way it seemed to fill the silence.
Silence is an uncomfortable rarity in Patty's life, but she felt she should turn the TV off when entertaining a guest. When there is silence just before Final Jeopardy, music starts playing to pass the time.
Alex looks across the small, sticky aluminum table at his hostess. Before him is a fruity-smelling bowl of creamer. His stomach growls and he thinks that perhaps he is hungry. Patty starts singing.
The cheetah, invited into the den of the antelope, is momentarily paralyzed with confusion.
Alex is tempted but wary. The singing only serves to put him more on edge.
Abruptly the singing stops.
"Are you hurt?" asks Patty.
The bowl of spoiled creamer is a pale pink hue. Another drop of red falls in as Alex looks down. The scab on his forehead is pinched between two fingers in his right hand. He hadn't noticed.
"Do you have medicine?" asks Alex.
Part 2
Part 3
Patty has a clock. It stopped ticking at 3:27 p.m. years ago and she never took it off the wall. It still hangs over her kitchen sink and now she misses its steady rhythm for the way it seemed to fill the silence.
Silence is an uncomfortable rarity in Patty's life, but she felt she should turn the TV off when entertaining a guest. When there is silence just before Final Jeopardy, music starts playing to pass the time.
Alex looks across the small, sticky aluminum table at his hostess. Before him is a fruity-smelling bowl of creamer. His stomach growls and he thinks that perhaps he is hungry. Patty starts singing.
The cheetah, invited into the den of the antelope, is momentarily paralyzed with confusion.
Alex is tempted but wary. The singing only serves to put him more on edge.
Abruptly the singing stops.
"Are you hurt?" asks Patty.
The bowl of spoiled creamer is a pale pink hue. Another drop of red falls in as Alex looks down. The scab on his forehead is pinched between two fingers in his right hand. He hadn't noticed.
"Do you have medicine?" asks Alex.
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